Journal of the stylistic of Persian poem and prose
volume Number 13، number In Volume 1، April 2020 ، issue Number 47

Introducing the linear version of Maratul-Khalkhal and studying the features of his literary style

Mahrokh Ahameh , Maryam Mahmoodi (Author in Charge), AhmadReza Yalameha

Abstract

The original Manuscript of Mar"at- ol khial by Mikraj Multani – one of 12th century writers of Indian subcontinent – is among Persian technical prose works; however, like most other manuscripts, has not been reviewed so far. The writer"s domination on Persian and Arabic languages as well as including verbal and spiritual ornaments in it are some of its merits. In this search, it is tried to analyze the work outstanding stylish properties by reading it critically and methodologically. The results show that the work has been written in a symphonic technical way. In its literal formation, making similes and musical correspondence and also attending to the selection and arrangement of such words have been very affective. Among the exquisite arrays which have an affective role in making the words music in this book, we can address to the rime, balance, harmonization, redundancy, and unisoudness.

Keyword
Mar'at-ol khial , Mikraj Meltani , methodology , subcontinent literature

• Rastegar Fasaei, Mansour (2001), Types of Persian Prose, Tehran: Samat.
• Abbasi, M. and Fooladi, Y (2017), On the Origin of Lyric Evaluations in Shahnameh, Journal of Literary.
• Technologies, Volume 9, Number 18, p. 173.
• Lavageh, I and Kooshesh, K and Tolouei Azar, A.
• (2015), A Comparative Study of Golestan Saadi with the coordinates of rhythmic and eloquent proseIn Arabic.
• Rhetoric, Journal of Literary Techniques, Volume 7, Number 1, p. 87.
• Tajil, Jalil (1992), Punishment in Persian Literature, Tehran: Institute of Cultural Studies and Research.
• Javadi, Z. (1999), Some references about the Saja array, Kayhan Farhangi Magazine, No. 157, p.
• Jorjani, Abdul Qahir (1989), Dala'il al-Ijaz fi al-Quran, translated by Mohammad Radmanesh, Mashhad: Astan Quds Razavi.
• Shafieiun, S. (2010), Two Centuries of Literary.
• Controversy in Iran and the Subcontinent, Journal of Persian Literature Textbook, Volume 2 Number 1 Page 84.
• Bahar, Mohammad Taghi (1370), Stylistics, History of the Evolution of Persian Prose, Tehran: Amirkabir.
• Shamisa, Sirus (1997), Prose Stylistics, Tehran: Mitra.
• Fotouhi, Mahmoud (2011), Stylistics, Tehran: Sokhan.
• Khatibi, Hossein (1996), Prose Art, Tehran: Zavar.
• Homayi, Jalaluddin (2002), Rhetoric Techniques and Literary Crafts, Tehran: Homa Publishing.
• Manzavi, Ahmad (1970), List of Persian Manuscripts, Tehran: Cultural Institute Publishing.
• Shafiee Kadkani, Mohammad Reza (1989), Poetry Music, Tehran: Agah.
• Yousefi, Gholam Hossein (2007), Word Music in Ferdowsi Poetry, Tehran: Sokhan.
• Abbasi, H. and Kajani Hessari, H. (2016), The role of music in choosing the words of Nafta Al-Masdoor, Journal of Persian Language and Literature, Kharazmi University, Volume 24, Number 80, Page 115.
• Agha Hosseini, H. and Algooneh Junghani, M. (2009), Valuable Haleh of Vocabulary, Journal of Literary Research, No. 165, p. 161.